My New Year’s eve was supposed to be long and unconventional, eccentric even. It was supposed to start with a mellow, late dinner with my parents, listening to typical Colombian music in downtown Bogotá. I would celebrate with them until 12:30 or so, have some champagne, then head to a “Drum & Bass” party – whatever that means – that was described to me as “very underground”.
This would have been perfect. My planned evening would have allowed me to ruminate about the greatness of our (North and South) American music, to philosophize about the merits of the old and the new, the local and the imported, music in Spanish and music in English – and how great it is to enjoy both within one Latin American metropolis. I would have made a clichéd extended metaphor: these genres somehow symbolize our shared (northern and southern) heritage. Or destiny, or something like that.
Whatever the merits of my analysis, my evening did not turn out as planned. So I get to skip the cliché and hope you’re entertained by my evening nonetheless.
At around 11:00 PM on the night of the 31st, my mom, dad, and I arrived at “Salomé Pagano Social Club”, a “traditional” (meaning old) venue in the Zona Rosa of northern Bogotá. According to my dad, this area used to be the city’s red light district when he was my age, but it has been restored and turned into an upscale place for bars, restaurants, and clubs. I know the area well, and I was surprised to see it so desolate; most venues were closed, and the streets were dark and empty. The masses of young people were notoriously absent. This Venezuelan did not know that Colombians who can afford it leave the big cities and head to the beach, specifically Cartagena, a beautiful old port city, for the holidays. My brother and sister defected our usual family New Year’s celebration and stayed in Cartagena with their friends, while I headed to Bogotá in order to spend more time with my parents.

Salomé is famous for playing traditional Colombian music – salsa and cumbia in particular – and this night was no exception. “Los Gaiteros de San Jacinto”, a well-known Colombian band that has been around for decades, was on as we walked in. I realized that Gaita means something totally different to Colombians than to Venezuelans, and decided I like it. I also realized I’d heard this music just the previous week, while at the beach in Santa Marta; it sounds like a very primitive, raw form of cumbia. The men, in white robes and traditional hats, played exotic instruments: leather-bound drums, maracas, and a long, wooden, flute-like thing that sounded like an alto sax but looked like a stuffed serpent. The crowd was older and subdued, and I’m not usually into dancing (especially not in front of my parents), so I settled in to enjoy my meal, my rum, and the music.
As midnight drew near, the waitresses distributed champagne and the drunken owner of the place got on stage to try his hand at MC-ing. He sucked. As the crowd kissed, yelled, hugged, and blew their party horns to celebrate the new year, a mock prayer rang out of the enormous speakers that lined the walls. It was meant to sound like a solemn appeal from a preacher to God, but instead of a religious message it had a political one: the Cuban revolution (which turned 50 on January 1st, 2009) was a farce, its leaders were tyrants and it had plunged the country into misery and backwardness. I’m sure the writer must have thought it was very clever, but it was out of place in a New Year’s party, and the crowd dispersed. After 10 minutes the tedious voice finally stopped, and the music and party continued.
This is where my evening took an unexpected twist. As already mentioned, I am Venezuelan; my parents only moved to Bogotá the year I went to college. Among other things, this means I never studied in Colombia and know very few people there. Most of the people I do know were away, vacationing with their parents or partying in Cartagena. The one exception was Daniel, a DJ I met a few months back, who had proposed a few days earlier a “very underground Drum & Bass party” after midnight.
As things turned out, Daniel was nowhere to be reached in the early hours of January 1st. In fact, I have still not been able to contact him, 2 days later, and have no idea what happened to him. I decided not to go to the “underground” party (where I knew no one) alone, so I called it a night around 2:30 AM.
So my planned philosophical ruminations have had to be cancelled, because of a disappointing evening. American music is still excellent in both its northern and southern variations, but I will leave the extended clichéd metaphors for someone else. At least I learned something this New Years Eve: when in Colombia, head to the coast for the holidays.